![]() ![]() (The album opener, 'Good Lava,' and its video are premiered above.). I'm excited by that skill and the fruits of that intention - of that decision.' The idea is central to Esperanza Emily's D+Evolution. Is, you get creative with the tools that you've got. The guys at NPR have raved about Diet Cig for quite some time. SOUNDTRACK: DIET CIG-Tiny Desk Concert #641 (August 2, 2017). 'What do you do when you don't really have all the tools that you need, but you have to survive?Īnd you need to grow and expand? 'I think that the best answer to that question of 'What do you do?' 'Whether you want to see it as devolution and evolution, and the place where they co-exist without one diminishing the other, or could look at it like barely having the tools that you need, but having to move forward, and having to keep moving,' Spalding says. Yet speaking on the phone in December 2015, Spalding pronounces the album's title, 'D-plus evolution' - as in, hardly earning a passing grade, but still managing to morph and change. She's playing with the idea of a 'modern mind' being afflicted by a 'primal urge,' and more broadly about how, sometimes, great strides in our development are inspired by less-enlightened versions of ourselves. On the heels of her Grammy attention, Spalding issued 2012s Radio Music Society.Ĭonceived as a companion piece to Chamber Music Society, the set featured drummer Terri Lyne Carrington and pianist Leo Genovese, with assistance from longtime collaborator saxophonist Joe Lovano and numerous guests, including drummers Jack DeJohnette and Billy Hart, guitarists Jef Lee Johnson and Lionel Loueke, hip-hop producer and DJ Q-Tip, and a slew of vocalists, Parlato and Lalah Hathaway among them.YouTube 'Devolution burns inside me,' sings Esperanza Spalding on a track from her upcoming album, Emily's D+Evolution. The album reached number one on Billboards Contemporary Jazz Albums chart, and helped earn Spalding the Grammy for Best New Artist. It included eight originals and three covers, and featured guest vocal appearances from Milton Nascimento and Gretchen Parlato, as well as a small string section, and guitarist Ricardo Vogt. In August 2010, Spalding returned with Chamber Music Society, a more stylistically expansive production that found her straddling the line between contemporary modern jazz, RB, and Brazilian traditions. In addition, it became the best-selling album by a new jazz artist internationally during 2008. ![]() Two years later, she released Esperanza (on Heads Up Records), which proved a critical and commercial success. In 2006, Spalding released her solo debut, Junjo, on the Barcelona-based Ayva imprint. Leaving Portland, she transferred to the Berklee School of Music in Boston, where she graduated in 2005 and was subsequently hired as an instructor, becoming the schools youngest faculty member at age 20.Īway from teaching, Spalding enjoyed a burgeoning performance career, leading her own trio and working with a host of artists including Joe Lovano, Patti Austin, Michel Camilo, Charlie Haden, Regina Carter, Pat Metheny, Dave Samuels, and many others. She also began playing locally, and studying privately with noted Portland jazz artists Ron Steen, Thara Memory, Darrell Grant, and others. She completed a GED and enrolled in classes at Portland State University, where she earned her B.A. Esperanza spalding torrent discography full#She immediately connected with the instrument, and at age 16 again left school to focus on music full time. ![]() ![]() There, she joined the school band and first began playing the acoustic double bass. She excelled at the instrument and joined the Chamber Music Society of Oregon.īy the time she was 15, Spalding had been named the ensembles concertmaster violinist. It was during these years, starting at age five, that she began playing violin after seeing Yo-Yo Ma perform on an episode of Mister Rogers Neighborhood. Subsequently, she spent much of her childhood being home-schooled. She has remained a forward-thinking and maverick artist, issuing recordings like 2012s Grammy-winning Radio Music Society and 2016s concept album Emilys DEvolution, which found her moving far afield of jazz into art rock, RB, Afro-Latin styles, neo-prog, and experimental pop.īorn in Portland, Oregon, in 1984, Spalding suffered from chronic pneumonia and rheumatoid juvenile arthritis, side effects of an autoimmune deficiency disorder. ![]()
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